Depending on the environment you're photographing or the camera you're using, you might not be able to get all of the dynamic range of the scene into a single exposure. That's when you'll want to take multiple exposures and refer to this helpful video on how to blend them in Photoshop.

Let's just be honest here, standard HDR photo processing techniques are about as relevant as dial-up Internet these days. There are many other ways to achieve better dynamic range in the final edit of an image and one of the best ways is that of using luminosity masks.

While the idea of having the best available studio and equipment remains, well, an idea or dream for many of us, creating great images in the comfort of your own home does not have to be.

Post production has been a significant part of photography ever since the beginning of the medium. Back before digital, it was all about how you handled the development of the film and then the enlargement of your print, now it's about how you handle your digital files.

The dark and moody cinematic look is a popular one that can help make your images pop and catch the viewer's attention. If you're a fan of that style, this fun tutorial will walk you through the entire process of creating the look from normal photos using Photoshop.

With the new Adobe Photoshop CC 2018, a new image enlargement algorithm, “Preserve Details 2.0,” came as an improvement over the previous upsampling algorithm that had been in place since 2013. The 2.0 version provides better details when it comes to preparing the images for large-scaled prints and potentially reduces the need for an ultra-high-megapixel medium-format camera for large prints.

One of the most fundamental Photoshop skills you can have is the ability to remove and replace objects in an image. And while Photoshop has some fairly advanced automated tools to help you do this, there are times when you'll want to take full manual control. This helpful video will show you three methods to remove objects.

Lighting can be a major pain in the ass and that is especially the case if you're not a technical person, like me. After picking up the camera 7 years ago I am still constantly learning about the many different aspects of lighting.

Color grading is a critical tool involved in the production of a truly impressive image. Through the use of grading a photographer can completely shift the impression a given photograph leaves on its audience. Learning color grading, however, is quite difficult as it is one of the most ethereal aspects of a post-processing workflow that can vary radically from photographer to photographer. The best method, in my opinion, for learning to master grading is by learning as much theory and as many techniques as possible so that you can leverage that knowledge to create the workflow that works for you.

Masking plays a crucial role in the quality of your retouching. There are so many tools available to create and refine masks, that’s often times we forget the most basics and useful ones. One of them is a bit hidden and it seems like many don’t even know it exists! However, it’s probably amongst the most useful options to refine a mask and make your adjustment shine through in a more natural and convincing way. It’s the feather option and I’m going to show you how you can use it with a real-world example.

My high school enemy is my new best friend. I'm talking about a glorious thing called "tests." In the photo world, a test is a shoot set up for the sake of portfolio-building, experimentation, fun, or all of the above. It's not a paid shoot, but these suckers pay off big time. A test shoot is when you book a model (we'll talk about how) to shoot a concept that you put together. As I'm writing this, I actually have my journal open on my desk in mid-plan for a test that I'll be shooting later this month. Let's talk about a few reasons why testing is so important, how to find models, reach out to agencies, and what you need to do once your model is booked. Dig in!

In recent years, technological advances in camera sensors have made it possible to capture incredible landscape images at night, but they still struggle to capture detail when the light is very low or nonexistent without introducing high amounts of noise to the image. This technique, known as "median stacking," will help reduce or even eliminate noise in your nightscape foregrounds, resulting in clean, detailed images that are ready for print or online scrutiny.

Feeling stagnant in your editing recently and looking for some fresh ideas? While you might not use all of these tips, they should help reinvigorate your editing flow and get you thinking outside of the box for tools you might be familiar with or completely new to.

Have you ever been to a dark location where you couldn’t use a tripod? You probably needed a very high ISO and accepted the high noise levels. With this step-by-step guide, you can prevent the high ISO noise without the use of specialized noise reduction software.

If your goal for 2020 is to become a full time professional, make sure that you start doing these things now.

Photoshop is a massive and nuanced program, for which there are many ways to accomplish any one task. However, one of the most useful techniques to know is luminosity masks, which are powerful and versatile additions to your editing arsenal. This helpful video will get you started with them.

Nathan Elson, a commercial photographer from Calgary, Canada, just posted a great no-nonsense tutorial outlining his basic lighting set-up. Oh, FYI, there's also a great contest that Elson has put together with Strobepro. Go take a look.

Sharpening an image using a high-pass filter can really make it pop, however sharpening the entire frame doesn't always provide the best result, and adding tons of layers can become cumbersome. Fortunately, PiXimperfect's Unmesh Dinda has come up with a great new way to sharpen selected areas without adding a lot of unnecessary layers.

In our first two segments of building a business plan, we’ve talked about defining your product and forming a long term vision. In this final section we will talk about some of the practical steps you need to take to take those hypothetical concepts and put them into action.

One of the most powerful ways to take your landscape photography to the next level is to blend — or “composite” — exposures of the same landscape from different times of the day.

It's no secret that color toning in photography is a incredibly deep subject that helps bring life to the vision you have in your head. This video is a great entry point on the subject to help get you going in the world of color toning.

The Smart Object has to be one of the more powerful tools in the Photoshop arsenal. If it still confuses you a little — and I know it does — check out this in-depth video on the myriad ways in which it can be utilized.

Making selections in Photoshop can be an incredibly tedious and time-consuming task, so it helps to know every possible method for a variety of situations. This helpful video will show you two lesser known but quite powerful procedures.

It can be hard to measure long-term progress in photography, as we grow in slow, small steps. But it's important to know how far you've come and where you still need work, and this helpful video will give you five ways to check just how much progress you've made.